Yesterday I went to Kew Gardens (it rained all day, I got very wet). I was prompted to visit the Chinese pagoda and the Chinese garden by a conversation on BBC 3’s ‘Free thinking’ podcast about plant hunting and the naming of plants. The curator explained that the plants in the garden now carried their names in Chinese and commented that the plants were not discovered by plant hunters as they were known to the Chinese for many centuries. This seemed an amusing and good point – that the plants were only noteworthy when categorised by the western coloniser. I could not find the garden – but the pagoda gave me some much needed shelter.
Kew reminds me of a zoo, with beds demonstrating the different varieties of plant species, as animals are grouped in cages, more scientific than artistic, but the gardeners there do demonstrate artistic skill too. It is a beautiful place.
One of my cousins was a plant hunter. He died suddenly a few years ago on one of his plant hunting adventures in Myanmar. He was relatively young, at 61, and appeared to have a lot of future ahead of him. But I could not imagine a better way to go, doing what he loved best.
Was he following in the tradition of the colonisers? Myanmar has been closed for many years and since the opening up of the country as it moved to its short lived democracy, it became possible to visit and travel more freely. My cousin was excited by the possibilities of being the first to discover new species like the hunters in earlier ages.
After sitting under the eaves of the pagoda, getting colder and colder, I decided to visit one of my favourite gardens, the Japanese landscape. This represents a country that successfully resisted colonisation and developed its own traditions in horticulture, and many other art forms. The Lion’s Gate is such an assertive statement of identity (and beautiful too).
I sometimes wonder if countries, such as Myanmar, Nigeria, China and India, might have developed an artistic culture, stranger to the West, if we had been refused entry as the Japanese leaders did. I feel some sadness as to the different futures that were lost to the colonising influence of Western Europe.
But the gardens are still beautiful and they lift my soul – for that I am very thankful. They are a demonstration of the gardeners’ art, as much a demonstration of science – although a concern for science seems uppermost on their promotional materials. The Japanese landscape takes beauty very seriously and the landscape shows us their formal concerns about colour, texture, volume and materials, not just plants. It has much to teach us.